Re: da

(Anonymous) 2023-03-24 10:46 am (UTC)(link)
maybe you ARE really an artist, because youre very bad at logical thinking and generalization.

youve also decided to ignore my point, supported with sources, that tomorrow's artists are not going to have the opportunities to get the clients you are currently working with. midjourney is going to have those clients, my dear. midjourney is already taking that prompt and spitting out things, and people are delighted to tweak what they want to accommodate what midjourney can give them. you can sit in the discord and watch it happen. the key advantage of AI generation is that it has a very low technical skill bar for the end user.

its true, rich people have paid for great art! but also, it took a few hundred years for the concepts of art and greatness to coalesce around that. it is a type of market logic. meanwhile you, purportedly an artist, arent talking about anything lower than chanel and da vinci - startlingly ahistorical and uneducated. here are three things you can think about by yourself because im not talking to you stupid ass any further.

1. what is the difference between easy replication of a single, human-created piece of art, and the easy replication of a style or type of art? ukiyoe prints hang in museums. should a pure AI generation?

2. an artist uses openai for $10 to analyze her own body of work and produce similar images. assumed the artist, when paying for the openai service, ticked a little box that said "do not use my work in your data set." openai subsequently uses the artist's uploaded body of work in its own data sets anyway. how would the artist prove this or get openai to disgorge the data?

3. the patron model of art provides some dinks, like you, with a living wage. does it confer upon you any power to determine art's future? for example, could you, or would you, ask your clients to agree not to use AI-generated art in their productions as a condition of using yours?

Re: da

(Anonymous) 2023-03-24 11:12 am (UTC)(link)
i think where we're not meeting on common ground is we are thinking of different types of different clients. irl companies are not using midjourney for service. i don't personally think they will because of all the stuff i previously mentioned, but fair, i can't read the future.

i'm giving big name examples to make a point, sure. apparently that makes me a stupid ass for not making obscure references. got it.

1. what is the difference between easy replication of a single, human-created piece of art, and the easy replication of a style or type of art?

AI could not create, for instance, impressionism until it has seen it. it cannot create cubism, it cannot create specific types of color palette-led art. not until a human mind that it can mimic does.

2. i don't think the artist should do that, personally. you would potentially run into legal trouble trying to sell pieces that are artificially made based on your work, in case they resemble too much the work that you sold to another client. Openai is still using your past work as reference, that danger is too big. so from get go, i can't answer that for you, because it's not a situation i'd say you should put yourself in. contracts are a major issue.

3. why would i want prerogative over what my client uses? they are open to use whatever kind of competing art they want. if you are worried about a client using your art in openai and putting it on that database - there are typically 2 types of contracts: the most common one, where you make an image for a client and sell it to the client for explicit uses (let's say, to print as is on 1,000 tshirts). then there are much more expensive contracts where you sell the image in its totality, they can use it for whatever and edit it as they please. if you sell art on this second basis, you are giving them full rights over the picture, and yes, they can put it up anywhere. however, you take that risk and are much better compensated for it.

all this aside, if we're down to namecalling, it doesn't seem as if this conversation is about genuinely talking things out, so i'll bow out too. don't think it does much good to fill both our days with negativity.

Re: da

(Anonymous) 2023-03-24 11:50 am (UTC)(link)
i already told you i was done with you, idiot. my god youre so proud of how good you follow orders, and this is the quality of your work?

Re: da

(Anonymous) 2023-03-24 11:54 am (UTC)(link)
much like how you cannot control whether or not a rando on anon comms replies to you after you say "i'm done," technology will continue to march on and change the landscape of your field regardless of what you have to say about it

Re: da

(Anonymous) 2023-03-24 12:00 pm (UTC)(link)
??????????????????????????????????????????????????????????

"fuck you, i got mine, you need to diversify"

"but youre misrepresenting the systemic problem and viable solutions"

"gotcha, i knew it was a systemic problem all along and theres nothing you can do about it. now if you will excuse me i need to suck sam altmans dick so hard when he cums it enpuddings my brain stem."

Re: da

(Anonymous) 2023-03-24 12:01 pm (UTC)(link)
sorry bud

Re: da

(Anonymous) 2023-03-24 12:03 pm (UTC)(link)
i'm the artist anon. the anon you are responding to isn't me.

Re: da

(Anonymous) 2023-03-24 12:04 pm (UTC)(link)
you guys are done talking with each other, remember?

Re: da

(Anonymous) 2023-03-24 12:33 pm (UTC)(link)
driveby anon but man, you sound like you've never actually worked with creative clients in your life, or at least very few of them

and no I'm not going to tell you which parts of your comment make me think that. if you worked a client-facing creative job you would already know

Re: da

(Anonymous) 2023-03-24 01:00 pm (UTC)(link)
i'm sure they do, but unfortunately the level at which they debate makes it sound like they're getting heated about losing their livelihood from Twitter and Tumblr commishes

Re: da

(Anonymous) 2023-03-24 01:03 pm (UTC)(link)
+1

As another professional artist: lol.

ayrt

(Anonymous) 2023-03-24 01:45 pm (UTC)(link)
the work i do involves seeing clients adjust what they want when they see it iteratively produced. today's creative clients, when they have money and time, are picky in ways AI can't presently meet. what i'm trying to tell you is that the clients are going to get less of that kind of picky when they have more power to create something Good Enough without having to work with you. the tech will also get better at meeting those needs anyway.

they are going to accept the 80% match for their vision if they can do it themselves by yelling at a computer. art anon was quite right that chanel types will continue to request chanel levels of personal service, but this is not going to be the majority of the work done.

AI cant replace truly creative work, but it can replace illustration products, and it will, and the clients you think wont accept it today are going to adjust their demands and expectations when they can get most of what they had in mind for a fraction of the cost and time. ive watched it happen, ive been at the table.

Re: ayrt

(Anonymous) 2023-03-24 01:58 pm (UTC)(link)
> when they have a lot of money and time

lol. lmao. There is no way you interact with real humans in a creative job in any capacity

da

(Anonymous) 2023-03-24 03:51 pm (UTC)(link)
actually the same anon that opened up this whole thing, but i think the professional level pricepoint is a fair observation. illustration at a (highstakes) professional level does require a lot of human communication at a level ai currently can't compete with, and that time and energy is (usually) compensated fairly.

i do suppose that on one hand, automated phone menus never fully put human customers out of business, but on the other, i've worked at an automated phone menu farm (because that shit isn't actually automated lmao), so i know how the people behind this technology are paid (directly). for ai, i'm distinctly less sure, so i'd much rather futureproof with ai that starts with the artist community in mind. that means a product that guarantees my information stays with me. again, not a lot of ai technology is marketed widely in that way, probably because it's a bit of a taboo topic in the artist community in the first place and it will take a LOT to regain that trust - look at the csp one-two debacle, and the only thing they did wrong was have an overly complicated pricing chart. still, helping us meet deadlines would be a step in the right direction.

for what it's worth, i think the anon i just replied to has a fair point regarding artists trying to get past hobby level. hobby level illustrators are never going to see the kind of money spoken about here. i'm genuinely a little annoyed by holdouts in the "but i just want to draw 5$ comms for my friends while also opening commissions for the literally thousands of people following me" argument, especially now that we're working with a competitor who can create a similar product for the low, low price of free... but that's a separate argument and i actually refuse to engage, whether the argument is nuanced or not. sorry, i've lost enough hair over it.

Re: ayrt

(Anonymous) 2023-03-24 02:10 pm (UTC)(link)
this is all true

just as it's been true for many non-creative industries over the years

Re: ayrt

(Anonymous) 2023-03-24 02:13 pm (UTC)(link)
the entire point is creative industries don't work on the same principles, this is what you don't seem to be getting

AI can't mimic creativity

Re: ayrt

(Anonymous) 2023-03-24 03:01 pm (UTC)(link)
you dont seem to be getting that your industry is about to change its mind about that.

especially if your business is spot illustrations and greeting cards. the accountants are coming for your ass like they came for music and perfume. if it can be done kind of as good for 1/10th the price, that is how it's going to be.

Re: ayrt

(Anonymous) 2023-03-24 03:09 pm (UTC)(link)
anon assuming for a single second you're right and AI can do all this and accountants cut costs to the bone, then this will be true across multiple industries (planning, consulting, writing, accounting itself even teaching) and art will be more protected than your average industry because it relies on creativity that other industries don't

Re: ayrt

(Anonymous) 2023-03-24 03:16 pm (UTC)(link)
in certain respects, anon, you need to touch less grass and pay attention to whats going on online.

Re: ayrt

(Anonymous) 2023-03-24 03:23 pm (UTC)(link)
+1, da

Clients cheap enough to be satisfied with AI were rarely paying my prices to begin with, while the people who want my expertise, design skills and talents continue to pay me. I’m glad cheap clients will be largely out of my hair, at least until this AI thing blows over like cryptocurrency and NFTs did.

Re: ayrt

(Anonymous) 2023-03-24 03:36 pm (UTC)(link)
I get the feeling that the problem will be resolved soon enough without our input. All it will take is enough people using AI art to recreate copyrighted imagery (Disney characters, for example) to get lawyers involved and AI art use will be given heavy restrictions to prevent copyright violations.

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da

(Anonymous) 2023-03-24 04:05 pm (UTC)(link)
original argument anon here. i think my faith in other people's taste for art is too weak to believe that this is the future, and i also think ai art progression is going to get sophisticated enough to satisfy the threshold above 80% "good enough", but i've been wrong before. i hope my pessimism loses this fight, because that vision genuinely paints a very nice picture, no pun intended. i'm preparing for the worst, though.

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Re: ayrt

(Anonymous) 2023-03-24 04:00 pm (UTC)(link)
there are some art jobs that artists are getting paid for right now that require creativity, and some that don't

it's the former that's going to more or less disappear as a way to make a living, but you could say the same for writing and coding

Re: ayrt

(Anonymous) 2023-03-24 04:01 pm (UTC)(link)
*latter

dummy!

Re: ayrt

(Anonymous) 2023-03-24 11:46 pm (UTC)(link)
yeah this. the artists i know who are flipping out about potentially losing their livelihoods to AI are people who didn't really have art livelihoods in the first place - that is, people who've maybe done a few short stints at indie studios, but mostly draw people's ocs sucking dicks on twitter for $70 a pop because they're not skilled or creative or efficient enough to do more than that. what they're worried about is a fictional full-time job somewhere impressive being taken away from them in the future they've made up in their head

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+1

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